Category Archives: Knives

Crowds Damascus Steel and Almost Cut Faces

I almost cut a woman’s face off today.

In my defense, she was behind me and she was holding the knife too close to her face.

Today was the Japan Custom Knife Makers/Japan Knife Guild Custom Knife Show in Ginza. As always, I froze my credit cards in blocks of ice and headed down to the show.

This year’s show was crowded and I was pleased to see lots of women who seemed to have an interest in knives and that lots of knives were being marked SOLD.

Soon after the doors opened. It's already getting crowded. Not everyone is set up.

Soon after the doors opened. It’s already getting crowded and not everyone is set up yet.

I’ve been around the shows enough that people are starting to talk to me. I’ve even discovered a few English speakers. One guy asked if I was a distributor and I went “No, I’m a, wait, if I say I’m a distributor will I get a discount?” Suddenly he forgot English.

The other trend this time was Damascus steel. Almost every knife maker had a version of their knife made with Damascus. The man who asked if I was a distributor was famous blacksmith/steel maker Kazuo Nomura. His most impressive knives were mix of aogami super steel and different shades of copper. The problem was they were only sold as a set of 10 and the set was $10,000. They also had hand made maki-e handles to help justify the price.

The three on the left are part of the set. The one on the right is extra.

The three on the left are part of the set. The one on the right is extra. Would you really bone chicken with these?

Close up of the damascus steel. This would be a pain to clean and keep dry.

Close up of the Damascus steel. This would be a pain to clean and keep dry but it looks cool.

A different knife maker's version of Damascus. These are only $125.

A different knife maker’s version of Damascus. These are only $125.

Although everyone was friendly, I think it’s time to move the show to a bigger hall. As the show got crowded it got hard to move around in the small room. At one point, my Canadian friend pulled me away from a woman I was about to bump. When I turned around she was holding an eight inch Bowie knife up to her face to read the logo or check the polish.

Also, it would be nice to see knife-related goods like sheaths and sharpening utensils. There are already a couple vendors who sell knife parts for knife makers they should also start carrying some Japanese waterstones.

Despite the Damascus trend, there was a better mix of knife types than some of the earlier shows I’ve attended. They makers had flippers, lockbacks, fixed blades of different types and a even a few novelty knives that were kind of fun.

This is sharp and way too small for my hand.

This is sharp and way too small for my hand.

It made me look forward to the next show, which doesn’t always happen. I’ll have to keep my credit cards frozen though.

 

The Kickstarter’s Dilemma

Any careful consideration of the topic will convince you that Kickstarter is a very dangerous place to visit, especially if you own a credit card.

And it’s not the only place that’s dangerous.

Part of the danger stems from an odd idea I got a couple years ago that an interesting way to tithe, especially as I am dubious of churches as institutions (long story), would be to contribute a small percentage of my income to supporting small manufacturers, especially those just starting out. I also had a preference for manufacturers in the USA, although that was a guideline not a rule. I started with knife makers (in the USA and New Zealand) and, thanks to the enablers at the Pen Addict podcast, slowly moved into pens and other things being sold on Kickstarter.

This has been a mixed blessing. Thus far I’ve backed eight projects and had little or no problem with four of them. My first project was a batch of pen cases from Nock Co (owned by Brad Dowdy of the Pen Addict) and although there was some delay caused by the company’s ambition (hint: too many ideas, too many colors, not enough time, no sewing machine), I got the pen cases with no problem and now carry two regularly. I also passed a couple to the girls and use a couple more as storage for pen parts. Granted, there are a couple unused cases I stare at and think “what ever will I do with you” and they whisper back buy more pens and I whisper back “okay”. (No, really, the pen cases whisper to me. I think.)

I also had no problem with Eighty Pages, Karas Kustoms or the Decadent Minimalist One wallet.

Two projects, however, have proceeded slowly. One at least keeps backers updated; the other doesn’t seem to understand why the backers are upset that deadlines keep being missed. Two haven’t yet had a chance to disappoint.

I’ve declined to back more projects than I’ve supported, including pens from Tactile Turn, although I then ended up winning one in a contest. I can’t explain my criteria. Some things don’t interest me enough to bother and somethings don’t ship to Japan. Somethings are absurdly priced.

I’m also always aware that I’m walking a thin line between “tithing” and “just buying stuff”.

Then there’s Massdrop. That’s another danger zone. (Although it has some nice stuff.)

 

Moving Beyond Butterscotch

Today I tried to get a man to tell me which of his fellow craftsmen he hated the most.

Today was the Tokyo Folding Knife Show which meant I met up with my Canadian friend and we perused the suddenly expensive fare.

Last year’s show suffered from blandness. Every knife was either a lockback or a slipjoint with the occasional odd locking mechanism from knife maker “Captain” Koyama who makes beautiful and expensive knives with locks named “the pitch lock” and the “Lock-and-Roll”. It reminded me of what Anthony Sculimbrene of Everyday Commentary calls “The Butterscotch Club” based on the habit of some older knife makers to set out bowls of candy at their tables. (Which also happens in Japan.)

This year, though, there was a bigger variety of knives, including flippers and button locks and side locks. The problem was 1) although they are fun to play with, I’m not a huge fan of flippers as they tend to scare the hell out of non-knife people; and 2) most of the flippers were disturbingly expensive. The cheapest of the cool knives was a flipper from Kazuyuki Sakurai that was only 65,000 yen (US $546).

Kazuyuki Sakurai's flipper. A steal at only 65,000 yen.

Kazuyuki Sakurai’s flipper. A steal at only 65,000 yen.

I was also a big fan of a Koji Hara/Marfione collaboration (that I got video of but neglected to take a picture of). It was only $2,350.

The most expensive knife, though, and I’m shocked the man let me touch it was the Raptor, a two blade slip joint from Toshiyuki Miyame. It had ATS-34 steel blades, carbon fiber scales. anodized titanium bolsters, silver pins and stainless steel liners. All for only 1,400,000 yen ($11,765).

Only $11,765. I tried to order two, but he said it's one of a kind.

Only $11,765. I tried to order two, but he said it’s one of a kind.

Part of what made it so expensive was the incredible file work he’d done on the back spacer:

Beautiful, but is it really worth $11,765?

Beautiful, but is it really worth $11,765?

We also chatted a bit with To-un Ihara, who’s pretty much become our friend.

To-un Ihara's lockback knives.

To-un Ihara’s lockback knives.

Although I had a good time, I didn’t buy anything. We didn’t even stay for the free drawing, partly because that would involve spending a couple hours hanging out near all those knives and, slowly but surely, justifying the prices whilst reaching for our wallets.

I would have even been tempted to buy an ivory handled slipjoint just to hear the sounds of heads exploding when I mentioned to some of my friends that I had one.

An ivory handled knife for only $420 and a short trip to hell.

An ivory handled knife from Miyamae for only $420 and a short trip to hell.

As always, everyone was friendly. In fact my friend Wes pointed out that all the knife makers seemed to be friends, even when, as in the case of Captain Koyama and Kazuyuki Sakurai, they were making knives in similar styles.

We pointed that out to Kazuyuki Sakurai and he agreed. That’s when I asked him which of his fellow knife makers he hated the most. As he is a gentleman (something I’m still working on) he wouldn’t tell me. He also didn’t betray anything with his eyes by quickly glancing in a knowing direction.

Oh well, maybe next time.

 

Bad Things Come in Phones for Knives

Today was Friday the Thirteenth and it produced a horror story. The horror story, as many horror stories do, involved the post office.

First, you have to understand, the day started well. It’s “marathon” day at the school which means there wasn’t much for me to do other than finish preparing a final exam. That part went well. Once that was over, I set out to pursue a number of simple tasks.

My first task was to get money (today was payday) and deposit part of it in the rent account. That went surprisingly smoothly, which should have been a warning for what happened next.

My second task was to mail a knife to its manufacturer in the USA for a warranty repair. I didn’t have to wait long, which was good, and then presented my parcel to the lady behind the counter. She asked what was in it, I said a knife going to the USA for repair.

There was the sound of teeth sucking. She then asked what kind of knife it was. I said it was a small folding knife and repeated that it was going to the USA for repair. More teeth were sucked and she consulted another clerk. Bringing someone else into the situation meant the situation had escalated to Wakarimasen Dekimasen and I was probably in trouble. The other clerk, who had helped me send parcels a few times, eventually told me that I’d have to wait for a while.

I frowned but remained calm (since I was carrying a knife this was a good idea, which is why I’m surprised I did it). A few minutes later, I saw the first clerk was talking to someone on the phone. I swore to myself and put the box back in my bag and waited. As rule, nothing good ever comes from a Japanese consulting someone on the phone.

Sure enough, ten minutes later, I was informed that the post office couldn’t ship small folding knives to the USA because DEAD PEOPLE! but if it was a 10 inch butcher knife that would have been okay. I asked if her if she knew what the word “Bullshit” meant. She didn’t.

Once again, I didn’t argue very long. I was already packed so I just left and went about the rest of my tasks for the day. I was, of course, carrying a knife the entire time.

When I got home, I consulted a YouTube friend of mine who is the only Japanese gun owner and knife enthusiast I know. In fact, the knife I was sending in for repair I got from him. (The problems were not his fault.)

He explained that he’d had this trouble and that it seemed to stem from a misreading of a bulletin sent by the post office about the dangers of knives and hijackings and a general Japanese paranoia of knives. He said he’d had to prove that several Japanese knife companies use the post office to ship their products to the USA and that since then he hadn’t had much trouble.

The funny part is, when I got home, there was a knife waiting for me. It had been shipped from the USA and delivered via the Japanese Post office. I guess that’s safer than shipping things the other way.

Side Note: If you’re interested in my friend’s videos and Japanese hunting, you can check out his English language videos here. Be warned, though, that some are pretty bloody and you will be appalled at how much meat he leaves behind. In his defense, he gets dozens of deer a year.

Resistance Friends and Getting Pushed Around

It’s a sign that I attend too many knife shows that 1) the organizers are sending me invitations and 2) I’m starting to make friends with some of the knife makers.

Today, however, there was a surprising amount of pushing and shoving going on.

Today was the Ginza Blade Show, which is the first knife show of the year in the Tokyo area and, if today was any indication, is also one of the best attended. Since my short bout of flu seemed to be over (except for the feeling of weakness caused by taking medicine and then suddenly going off of it) I met up with my Canadian friend and we ventured down to Ginza.

I got there second and my Canadian friend was deep into temptation.  He kept reaching for his credit cards and then snapping his hand back to a safe location. He accused me a not warning him that it was a fixed blade show (he’s a big fan of fixed blade knives) and I said I didn’t know that because we hadn’t actually visited that one in 2014.

Being the first show of the season, and being in a small room, it was too crowded for comfort. On several occasions I was looking at at knife and then suddenly found myself being pushed out of the way or over the table. I had to try to catch myself without dropping the knife, stabbing someone, or cutting my hand on the other knives on the table.

When we weren’t being pushed around, we talked with Ihara To-un, an older knife maker who’s kind of become our friend (at least he said we were his friends, right before interrogating me about whether or not I’ve actually used the knife I bought from him–I assured him I have). My Canadian friend made an order for a knife while I reached for my credit cards and then snapped my hand back to a safe location.

We also had a nice chat with the very colorful “Hank” Ishihara, who dresses like a cowboy, usually has a fake revolver on his table and makes knives that are more art and jewelry than functional. His knives are intricately carved and often have stones set in the blade and he proves you can shine light through it. His knives are right at the edge of tacky, but are still kind of cool in an expensive “I’d rather have that double-ended liner-lock pocket knife than a MacBook Air” kind of way.

There was also a guy who made knives from materials like onyx and agate which, while beautiful, seem rather impractical. That said, he has his sales pitch down and proved they could cut. Once again, they were kind of cool, but seemed different for the sake of being different. (They also seem like something you could strap to your ankle and carry through airport security, which makes them a different kind of cool.)

In three, weeks, we head to the Tokyo Folding Knives Show, which is one of the more interesting shows. I’ll have to leave my money and credit cards with She Who Must Be Obeyed before that one.

The Escalation of Pointy Stabby Things

Today I managed to sell more knives than I bought, even though I was very close to buying a couple.

Today was the Japan Knife Guild annual show. As has become tradition/habit/syndrome, I met my Canadian friend and we spent time roaming around the show. It was one of the best shows we’ve attended and we guess that 85% of the tables had something that made us pause and think rather seriously about finances and financing.

Before we started roaming around, though, I sold him four knives I no longer wanted. I’ve sold him other knives, too, which kind of makes me his dealer. (More on that later.)

One of the things about collecting knives (well, anything actually) is the way your interests change and escalate. You start off with a couple cheap knives and mock anyone who spends more than $50 on a knife. You tell yourself the $10 knife you have does everything you need and it couldn’t do more if it cost more.

Then you see a $60 knife you like and buy it. You tell yourself the knife has everything you need and the money you spent is worth it. And, hey, the better steel actually holds an edge longer than your $10 knife. The crazy people are those who spend more than $100 dollars on a knife.

However, every time you break a $50 dollar mark, it resets you to the next highest $50 mark. This means that, all of a sudden, $100 doesn’t seem that unreasonable because it lets you try better steels and handle materials. This continues to escalate until you’re looking at $1,200 custom flippers made from Damascus steel, Zirconium and Timascus and thinking “Well, it’s only $100  more than the last one I bought so that’s not too bad.”

The problem is, at that point, knives cease to be tools and become jewelry. Are you going to cut apart a cardboard box with your $1,200 handmade knife or your $50 mass-produced one? Are you really going to take a $1,200 knife camping or hunting even if it’s called the XYZ Hunter Flipper? I admire you if you do, but I doubt you will.

In my case, my purchases didn’t escalate that far, although they did escalate. As I’ve said before, as a form of tithing, I decided to buy knives from small makers, some of them just starting out in the business. This drove up the price substantially. I also, however, acquired some used from small makers I admire.

My most expensive knife, for the record, also included a stake in the company. (Disclosure: I don’t get dividends from all sales, only from sales of limited edition knives I choose not to buy. I also have the option to sell the stake, which is represented by the first limited edition knife.)

As for my friend, he also ended up not buying anything, although he plans to order one for his father. The only thing he bought was my four unwanted knives.

This purchase surprised me, though, because after buying a good quality fixed blade knife a couple shows ago, he swore off cheap knives, or as he calls them “crap knives” and has decided to focus on high quality makers.

Luckily for him, I also happen to have a couple of those around.

Wasting Time With Pointy Stabby Things

I’m in the middle of marking exams which meant today was a good day to stop by the Ginza Blade Show down in Tokyo and do some window shopping and loafing.

I’ve mentioned before my rekindled interest in Pointy Stabby Things and today marks the third trip I’ve made to a Japanese custom knife show. As such, the knife makers who’ve been to each knife show have started to treat me like a regular. To-Un Ihara, who I talked with during the first knife show and bought something from during the second, asked where the Canadian was (answer: working) and if I liked and was actually using my knife (answer: yes and sort of). His factory is close to my town and he invited me to visit, which I will sometime this summer.

Another maker showed off his English skills and talked about being in Atlanta last month for the Blade Show. Another guy, who sells knife making supplies, showed off his English and tried to convince me to start making knives. I was like “no way I have too many hobbies and a blog to write” and “well, probably by the end of the summer I might give it a try just for the hell of it”.

There was an odd mix of styles at this show, which made it more interesting than the last one. This is the first show I’ve been to with knives that could be described as “tactical”. The most interesting were from Kiku Knives, who works with Western makers. He had knives, well, swords actually that I think require registration and the good will of the police to own. (More on that later.)

There was also a lot of “man jewelry” and “blade art” that didn’t seem designed to be used. One maker had one-of-kind knives with narwhal ivory handles he was willing to let go for $4,800. The Steam Punk knife with lots of brass and cool bits has lots of painful hot spots and would be impossible to use for more than opening letters (and nowadays, how stupid would you look stabbing your smartphone simply because the LED was flashing).

The most unusual knives, though had glass blades. They were beautiful and kind of cool–and had me thinking “man who has glass knife should not throw it” which isn’t funny at all. I didn’t see the point of the glass knifes and didn’t have a chance to talk to him.

Update, Feb. 11, 2022: The most unusual knives, though, had agate and obsidian blades I first thought were glass. I even concocted the joke that “man who has glass knife should not throw it” which isn’t funny at all. I didn’t see the point, no pun intended, of the stone, knives, other than that they were beautiful and reasonably sharp.

I ended up not buying anything, but I did manage to record a lot of video footage that I will edit sometime in the 21st century. I also ended up confused. After lots of research I thought I understood Japanese knife laws, but after playing with several knives that were long enough to qualify as swords, it’s clear there are nuances in the law I don’t understand which means I’ll never buy one of those knives. Which, in the end may be the goal of Japanese knife laws.

Pointy Stabby Things

I spent the day surrounded by Japanese men and women wielding pointy stabby things. Interestingly, they actually trusted ME with the pointy stabby things.

About a hundred years ago when I was in graduate school, I developed an interest in cooking, which, for a while, was code for “mess making in kitchen” and “no, officer, despite appearances, that smoke does not require that many fire trucks”. Eventually, as I am wont to do, I became as interested in the tools and extras associated with cooking as I was in the actual cooking. This meant I spent a lot of time studying and acquiring different types of kitchen gadgets and cooking knives. That interest faded away along with a hefty chunk of my income.

After the earthquake and tsunami in Japan in 2011, I suddenly found myself assembling earthquake kits and bug out bags–yes, I can also be hired to close your barn doors after your horses escape–and this led me back to my interest in knives.

The first knives I remember owning were an Air Force Survival Knife I got from my uncle and a Boy Scout folding knife. I may still have one of those somewhere in the USA. I also still have a couple of knives I bought when I was interested in cooking and cooking tools and a Swiss Army Knife I bought right before I headed off to Albania with the US Peace Corps. Last year, as a form of tithing, I bought knives from relatively new knife makers in the USA and New Zealand. Finally, I acquired a mess of knives from a Japanese friend who was cleaning out his collection of hunting and camping knives, I now find myself in possession of way more knives than I’ll ever need or ever be able to use for barter in a serious crisis.

It was therefore only natural that I would spend the day at the Tokyo Folding Knife Show. I dragged along a Canadian friend who is one of the only other foreigners I know in Japan with an interest in knives after persuading him to buy two of the knives I’d just acquired.

We then found ourselves the only foreign men in a room of Japanese and knives. We both were impressed with the friendliness of everyone at the show, both customers and knife makers. Some practiced their English; some were very patient with our Japanese; and none had problems handing us the pointy stabby things. That included a $6,600 knife which I was happy I neither dropped nor damaged. (The Canadian, it should be noted, refused to touch it.)

knifeshow-4

Yours for only $6,600.

In the end, we each acquired a damaged factory second from a maker who, in a move that seems backwards from usual business practices, offered DISCOUNTS when he saw our interest in his knives.

We were also impressed with the fact that the show existed. Japan has strict knife laws and much of what was being sold could only be carried if we had a “legitimate reason” for carrying it. Otherwise it could only be used at home.

There’s another show at the end of March. I suspect I’ll be there as it’s nice to be around people with similar interests. If I’m not, there, look for the Canadian.